Tracey-Ann begins her work with an abstract expressive style and then sub-consciously connecting with figures, animals, scenery and concepts to develop the message about our connection with life and our place in it.
From spring’s hush she lifts her skin,
Pan’s wild hand draws breath within,
Earth and body, softly one,
A life begins where spirits are spun.
In From the Spring She Came, I let the figure emerge as if born from the earth’s own breath, her form rising softly from the flowing spring, carried by currents of colour and light. To her side, Pan—wild, grounded, and ancient—guides her forward, his presence woven into the landscape itself, neither separate nor defined. The paint moves like water and wind together, blurring body and terrain, until she becomes both woman and nature, awakening into being. It is a moment of origin and transformation, where life is not taken but given—drawn up from the deep, held, and gently released into the world.
